The race offshore hollowed out the fashion and textile industries in much of Europe, the US and Australia. But if you happen to live there, chances are you've got amazing fashion skills on your doorstep but you just don't realise. While much of the infrastructure has disappeared, the talent is still there. And still coming through. When Yoox-Net-A-Porter execs visited Dumfries House, Scotland to see how The Prince’s Foundation is working to inspire and upskill young people in the textiles area, they saw an opportunity: to support fashion graduates in luxury, small-batch production and produce a very special collection in the process. They called it the Modern Artisan project.

More exclusive than Chanel - because they barely produce anything you can buy? An anti-establishment fashion duo that works with royalty? Why not? Vin + Omi rewrite all the rules. They call themselves ideologists. They're fabric inventors, creative thinkers and system-challengers. Now also feature film-makers. Come have lunch with Clare and these two wonderfully weird and welcoming waste warriors.

What comes to mind when you hear the phase: power dressing? In the 1980s, it was big news in the corporate world - with woman in big-shouldered designer suits, showing the men who was boss. But using clothes to communicate your status goes back as far as fashion does. In Ancient Rome, it meant the right to wear purple. If you were a courtier at Versailles, it meant the finest brocades.

Today, you might think that if you can afford it, you can have it, but as Kim Kardashian proved at the Met Gala last week - it’s still complicated. There remain many circumstances when other people try to tell us what we can and can’t wear, and what is appropriate.

“There’s always been a way of using clothes as a powerful tool,” says this week’s guest, British costume designer Jessica Worrall. In her work costuming theatre and film productions, she uses clothes to signify what characters stand for and how they fit in to the storyline. Her latest project uses digital collage art to mash up Old Masters with high fashion runway. Have the power dynamics of fashion today changed since Elizabeth I of England’s sumptuary laws dictated how who wore what? You decide.

Earth Day is not about buying eco-friendly stuff. This year, we challenge you to put your feet in the grass or the ocean, and your credit card away. Let’s make Earth Day about raising our voices for better government policies to protect biodiversity and act on the climate crisis. Let’s make it about communing with the birds, insects, animals and the trees.

Start here! Meet Dr Greg Moore - a botanist and 'plant mechanic' at the University of Melbourne with a specific interest in arboriculture. His passion for trees is centred around understanding how trees cope with their environments, and appreciating the benefits trees provide in urban spaces. In this Episode, Clare and Greg take a walk in the park to talk about the genius of trees. And you’re invited.

You probably already know that the fashion industry has problems! Issues for garment workers range from low pay and unsafe working conditions through gender discrimination, bullying and intimidation, to a lack of social security or social safety nets when things go wrong. As they did - spectacularly - for so many during the pandemic.

What’s the answer? Improve transparency and uphold rights, pay a living wage and ensure workers have a seat at the table while all this is discussed. In this enlightening conversation, Clare and her guest Ineke Zeldunrust, Coordinator of Clean Clothes Campaign, unpack how this might happen - and why it must.

This week, we take a look at some of the sustainability angles and moral dilemmas from fashion history’s archives, with American fashion historian Rachel Elspeth Gross. It’s a conversation is full of intriguing stories from fashion’s past, that might help make sense of the present – or encourage us to look at it in new ways.

How one company is turning greenhouse gases into a plastic alternative that biodegrades.

As Scientific American points out, "carbon is the giver of life - your skin and hair, blood and bone, muscle and sinews all depend on carbon. Bark, leaf, root and flower; fruit and nut; pollen and nectar; bee and butterfly; Doberman and dinosaur—all incorporate essential carbon. Every cell in your body—indeed, every part of every cell—relies on a sturdy backbone of carbon." Carbon isn't a monster, although it’s sometimes painted that way.

Carbon dioxide, however, is obviously causing us serious problems. We can't keep pumping greenhouse gases into the atmosphere. Reducing emissions and switching to renewables are the obvious first ports of call. But might we also be able to rethink unwanted greenhouse gases as a feedstock - something useful that we could turn into a product?

That's what this week's guest is proposing. Meet Mark Herrema, co-founder and CEO of Newlight Technologies, the company behind Air Carbon. He’s hoping this bio-based material will revolutionise the plastics industry. And Nike agrees...

Climate change means more extreme weather events, and calls on communities to find resilience and active hope. After catastrophic floods in Australia hit northern New South Wales and southern Queensland, how are communities responding and helping each other out? What was the clean up like? And what's this got to do with fashion and clothes? Clare Press talks to environmentalist, fashion activist and Northern Rivers local Zoe Gameau.

Have you bought digital garments for your avatar yet? Would you like to? You need to listen to this! Moin Roberts-Islam is the Technology Development Manager at the Fashion Innovation Agency, at the London College of Fashion, and he’s here to answer all our questions, from how digital fashion works, why it’s exploding and what brands are doing, to how gaming is involved, who is buying digital garments and why. Plus we discuss the Metaverse and NFTs, and how all this relates to sustainability.