It's not every day you get to sit down with a proper fashion world icon and pick his brains for free! Dear listeners, you're in for a treat this week, as Clare meets the one and only Jimmy Choo. This magic name in shoe design is now professor - he runs his own fashion school, the Jimmy Choo Academy in London's Mayfair…
You might have noticed this idea gaining momentum. Ecocide refers to the mass damage and destruction of ecosystems – severe harm to nature which is widespread or long-term. The idea is to criminalise it. And it's happening! It's become national law in several countries with many more discussing it. In March, the EU passed a law that criminalises actions 'comparable to ecocide' - a revolutionary legal development; the first law of its kind to be adopted by a political entity with substantial global influence. In September, Vanuatu, Fiji and Samoa submitted a proposal to the International Criminal Court for recognition of ecocide as a crime.
What does all this mean for fashion? Listen to find out!
Okay, brace yourselves...
Brands love to set sustainability goals. But what if it's all nonsense? What if net zero, the obsession with carbon, and the idea that renewables are taking over from fossil fuels, are all part of a fake green fairy tale that we tell ourselves because the alternative is too difficult to imagine. Or that corporations tell us so that they can keep on with business as usual.
WTAF? We know. It's... a lot.
Is it true? You decide, after listening to this week's guest.
Carole Collet on the role of a fashion designer today. Thinking purely about gorgeous clothes is so last season. Gone are the days when designers could consider only a collection, how it will sell and what the customer might be looking for.
Forward-thinkers are already beginning to take more holistic view and adopt a living systems approach. They’re asking questions such as, Can we make like Nature makes? How might fashion create nutrients instead of waste? How can we use biomimicry in sustainable ways? Program living systems to produce bespoke products? And, how can we build a truly regenerative system in place of the current regenerative one?
Happy Secondhand September! Six years ago Oxfam UK came up with the idea of using September to encourage people to: "Shop second hand to take a stance against fast fashion and dress for a fairer world." They say it's a moment to come together “to choose a more planet-friendly way to shop, and dress for the world you want to see." This week, Clare sits down with model-thrifter-filmmaker-activist Eunice Olumide, ahead of her walking in Oxfam's LFW show.
According to UNEP, methane has accounted for roughly 30% of global warming since pre-industrial times and is proliferating faster than at any other time since record keeping began in the 1980s. While it hangs around in the atmosphere for less time than carbon does, while it is here, it's more potent. Where does it come from? Livestock emissions account for about a third of human-caused methane emissions. And yes, there's a fashion connection thanks to leather and wool. What if feeding livestock a certain type of seaweed could help? It can! Meet Sam Elsom, the Aussie behind SeaForest - an environmental tech company set up to tackle climate change by the power of seaweed.
We hear a lot about product, clothes, and brands in fashion. Thankfully, we’re now starting to hear more about the makers, garment workers and skilled artisans behind the manufacturing scenes. But we still hear very little from the people and processes behind fashion’s raw materials. This week, we’re looking at wool, with a lovely interview with Tasmanian woolgrower Simon Cameron, of Kingston - who has been working with M.J. Bale on single origin suiting, and now - climate neutral wool.
The race offshore hollowed out the fashion and textile industries in much of Europe, the US and Australia. But if you happen to live there, chances are you've got amazing fashion skills on your doorstep but you just don't realise. While much of the infrastructure has disappeared, the talent is still there. And still coming through. When Yoox-Net-A-Porter execs visited Dumfries House, Scotland to see how The Prince’s Foundation is working to inspire and upskill young people in the textiles area, they saw an opportunity: to support fashion graduates in luxury, small-batch production and produce a very special collection in the process. They called it the Modern Artisan project.
More exclusive than Chanel - because they barely produce anything you can buy? An anti-establishment fashion duo that works with royalty? Why not? Vin + Omi rewrite all the rules. They call themselves ideologists. They're fabric inventors, creative thinkers and system-challengers. Now also feature film-makers. Come have lunch with Clare and these two wonderfully weird and welcoming waste warriors.
Fancy wearing a dress coloured sunny yellow by daffodils or a shirt dyed blue with woad? This week we're talking natural dyes and the magic of textiles derived from plants for a special episode produced with Fashion Revolution and guest-hosted by Carry Somers. Carry's talking with garden designer Lottie Delamain and natural dyes expert Kate Turnbull. Together, they've created a garden for Chelsea Flower Show "to inspire visitors to re-imagine the link between what we can grow and what we wear, showcasing creative possibilities and innovative thinking around how we can use our resources to create more sustainable solutions."
What comes to mind when you hear the phase: power dressing? In the 1980s, it was big news in the corporate world - with woman in big-shouldered designer suits, showing the men who was boss. But using clothes to communicate your status goes back as far as fashion does. In Ancient Rome, it meant the right to wear purple. If you were a courtier at Versailles, it meant the finest brocades.
Today, you might think that if you can afford it, you can have it, but as Kim Kardashian proved at the Met Gala last week - it’s still complicated. There remain many circumstances when other people try to tell us what we can and can’t wear, and what is appropriate.
“There’s always been a way of using clothes as a powerful tool,” says this week’s guest, British costume designer Jessica Worrall. In her work costuming theatre and film productions, she uses clothes to signify what characters stand for and how they fit in to the storyline. Her latest project uses digital collage art to mash up Old Masters with high fashion runway. Have the power dynamics of fashion today changed since Elizabeth I of England’s sumptuary laws dictated how who wore what? You decide.
Earth Day is not about buying eco-friendly stuff. This year, we challenge you to put your feet in the grass or the ocean, and your credit card away. Let’s make Earth Day about raising our voices for better government policies to protect biodiversity and act on the climate crisis. Let’s make it about communing with the birds, insects, animals and the trees.
Start here! Meet Dr Greg Moore - a botanist and 'plant mechanic' at the University of Melbourne with a specific interest in arboriculture. His passion for trees is centred around understanding how trees cope with their environments, and appreciating the benefits trees provide in urban spaces. In this Episode, Clare and Greg take a walk in the park to talk about the genius of trees. And you’re invited.
You probably already know that the fashion industry has problems! Issues for garment workers range from low pay and unsafe working conditions through gender discrimination, bullying and intimidation, to a lack of social security or social safety nets when things go wrong. As they did - spectacularly - for so many during the pandemic.
What’s the answer? Improve transparency and uphold rights, pay a living wage and ensure workers have a seat at the table while all this is discussed. In this enlightening conversation, Clare and her guest Ineke Zeldunrust, Coordinator of Clean Clothes Campaign, unpack how this might happen - and why it must.
This week, we take a look at some of the sustainability angles and moral dilemmas from fashion history’s archives, with American fashion historian Rachel Elspeth Gross. It’s a conversation is full of intriguing stories from fashion’s past, that might help make sense of the present – or encourage us to look at it in new ways.
