Happy Secondhand September! Six years ago Oxfam UK came up with the idea of using September to encourage people to: "Shop second hand to take a stance against fast fashion and dress for a fairer world." They say it's a moment to come together “to choose a more planet-friendly way to shop, and dress for the world you want to see." This week, Clare sits down with model-thrifter-filmmaker-activist Eunice Olumide, ahead of her walking in Oxfam's LFW show.
For this episode, we’re in London visiting British journalist Tiffanie Darke to talk about her viral wardrobe challenge, The Rule of Five.
She’s also got a new book coming out in the US. What to Wear and Why, Your Guilt-Free Guide to Sustainable Fashion promises to get you "rethinking what clothes we buy, wear, and toss out, knowing that we can have a positive environmental impact while still looking good and dressing well”.
This one is refreshingly honest conversation with Danish knitwear designer Amalie Røge Hove about her much-loved label, A. Roege Hove, and the ups and downs of being an independent fashion business.
In the latest of our names-to-watch from CPHFW, Clare sits down with Finnish menswear designer Rolf Ektroth.
Last season, his hand-knits, made with Finnish yarn manufacturer Novita, were made available as pattern and yarn kits, so that home knitters could recreate his runway pieces. He loves macramé and hand embroidery, yet his collections have a modern street wear vibe that feels very polished.
If you're not in Copenhagen for fashion week, here's your (virtual) ticket.Over the next three episodes, we’ve got interviews with some of the most exciting new names to watch from the region. First up, Alectra Rothschild, whose show for her Masculina label was one of the most anticipated, thanks to last season's electric on-schedule debut…
According to UNEP, methane has accounted for roughly 30% of global warming since pre-industrial times and is proliferating faster than at any other time since record keeping began in the 1980s. While it hangs around in the atmosphere for less time than carbon does, while it is here, it's more potent. Where does it come from? Livestock emissions account for about a third of human-caused methane emissions. And yes, there's a fashion connection thanks to leather and wool. What if feeding livestock a certain type of seaweed could help? It can! Meet Sam Elsom, the Aussie behind SeaForest - an environmental tech company set up to tackle climate change by the power of seaweed.
We hear a lot about product, clothes, and brands in fashion. Thankfully, we’re now starting to hear more about the makers, garment workers and skilled artisans behind the manufacturing scenes. But we still hear very little from the people and processes behind fashion’s raw materials. This week, we’re looking at wool, with a lovely interview with Tasmanian woolgrower Simon Cameron, of Kingston - who has been working with M.J. Bale on single origin suiting, and now - climate neutral wool.
The race offshore hollowed out the fashion and textile industries in much of Europe, the US and Australia. But if you happen to live there, chances are you've got amazing fashion skills on your doorstep but you just don't realise. While much of the infrastructure has disappeared, the talent is still there. And still coming through. When Yoox-Net-A-Porter execs visited Dumfries House, Scotland to see how The Prince’s Foundation is working to inspire and upskill young people in the textiles area, they saw an opportunity: to support fashion graduates in luxury, small-batch production and produce a very special collection in the process. They called it the Modern Artisan project.
More exclusive than Chanel - because they barely produce anything you can buy? An anti-establishment fashion duo that works with royalty? Why not? Vin + Omi rewrite all the rules. They call themselves ideologists. They're fabric inventors, creative thinkers and system-challengers. Now also feature film-makers. Come have lunch with Clare and these two wonderfully weird and welcoming waste warriors.
Fancy wearing a dress coloured sunny yellow by daffodils or a shirt dyed blue with woad? This week we're talking natural dyes and the magic of textiles derived from plants for a special episode produced with Fashion Revolution and guest-hosted by Carry Somers. Carry's talking with garden designer Lottie Delamain and natural dyes expert Kate Turnbull. Together, they've created a garden for Chelsea Flower Show "to inspire visitors to re-imagine the link between what we can grow and what we wear, showcasing creative possibilities and innovative thinking around how we can use our resources to create more sustainable solutions."
What comes to mind when you hear the phase: power dressing? In the 1980s, it was big news in the corporate world - with woman in big-shouldered designer suits, showing the men who was boss. But using clothes to communicate your status goes back as far as fashion does. In Ancient Rome, it meant the right to wear purple. If you were a courtier at Versailles, it meant the finest brocades.
Today, you might think that if you can afford it, you can have it, but as Kim Kardashian proved at the Met Gala last week - it’s still complicated. There remain many circumstances when other people try to tell us what we can and can’t wear, and what is appropriate.
“There’s always been a way of using clothes as a powerful tool,” says this week’s guest, British costume designer Jessica Worrall. In her work costuming theatre and film productions, she uses clothes to signify what characters stand for and how they fit in to the storyline. Her latest project uses digital collage art to mash up Old Masters with high fashion runway. Have the power dynamics of fashion today changed since Elizabeth I of England’s sumptuary laws dictated how who wore what? You decide.
Earth Day is not about buying eco-friendly stuff. This year, we challenge you to put your feet in the grass or the ocean, and your credit card away. Let’s make Earth Day about raising our voices for better government policies to protect biodiversity and act on the climate crisis. Let’s make it about communing with the birds, insects, animals and the trees.
Start here! Meet Dr Greg Moore - a botanist and 'plant mechanic' at the University of Melbourne with a specific interest in arboriculture. His passion for trees is centred around understanding how trees cope with their environments, and appreciating the benefits trees provide in urban spaces. In this Episode, Clare and Greg take a walk in the park to talk about the genius of trees. And you’re invited.
You probably already know that the fashion industry has problems! Issues for garment workers range from low pay and unsafe working conditions through gender discrimination, bullying and intimidation, to a lack of social security or social safety nets when things go wrong. As they did - spectacularly - for so many during the pandemic.
What’s the answer? Improve transparency and uphold rights, pay a living wage and ensure workers have a seat at the table while all this is discussed. In this enlightening conversation, Clare and her guest Ineke Zeldunrust, Coordinator of Clean Clothes Campaign, unpack how this might happen - and why it must.
This week, we take a look at some of the sustainability angles and moral dilemmas from fashion history’s archives, with American fashion historian Rachel Elspeth Gross. It’s a conversation is full of intriguing stories from fashion’s past, that might help make sense of the present – or encourage us to look at it in new ways.
